Casimir celebrates 30 years as a designer


Belgian fashion designer Casimir is celebrating three decades in the industry by manufacturing six wood gadgets that straddle the road between furniture and artwork and every other six to comply with.

The first six portions encompass two consoles, a cupboard rack, a replicate, a facet desk, and a low desk, all made exclusively from stable o. K. and walnut, “the most ecologically constructed cloth that exists.”

The fashion designer, who describes himself as a furnishings artist, designed and created all the restricted-edition, signed, and numbered pieces in his studio.

Although summary in shape, all the designs are intended to be used.


Casimir chose to paint in wood because he costs the authenticity of the material and its sustainable nature.

“The Casimir oeuvre is particularly about rethinking and wondering about classical furniture or bringing other timber-built gadgets and strategies into fixtures,” he informed Dezeen. “It’s about the concept, not styling or a trend.”

Cross4 is a console that can be customized in the period. It is meant to be leaned against a wall.

“The past is a loaded image and part of our Flemish tradition,” defined Casimir. “It often changed into being located above the door to show traffic they had been welcome and protected. This console can be placed next to the entrance as a welcome signal, a token of hospitality.”

CabinetRack2 is twenty centimeters wide and one hundred eighty centimeters high. It became ” an exercise in what you could do with a fashionable cabinet.”

The fashion designer built a cupboard without doors to bring together the pieces. He sawed this into two parts, moving them from a perspective and gluing the two elements together to form a rack that could also be paintings as a room divider.

Mirror 3 is a reflector that intentionally blocks the user’s view. Casimir drew on solar blinds—the horizontal slats constructed into outdoor partitions to dam sunlight—in architecture, turning them vertically.

“A traditional replicate usually offers a full mirrored image of the space,” he stated. “With Mirror3, the reflection is constrained to at least one perspective in the area.”

An aspect table called Arch is the best piece not made from solid oak but from walnut.

The oval-fashioned tabletop is sawn from a larger square wooden tablet. The pill’s stays are used for the legs, which are shaped by two trusses. Both trusses pass under the oval top and form a small vault.

The subsequent piece within the collection is Plank5, a low desk that stands 35 centimeters off the floor. Five planks of okay-timber are stacked like a fire or campfire to shape a low table with the plank ends sticking out at angles.

The last piece in the first release is the double-shelved Console3, which rests on three rotatable tripods.

The six designs to complete the 12-piece collection include three ladders, a cupboard, and a test with fixtures legs, once more running with timber.

Casimir intends the whole collection to last more than one hundred years within the subculture of classical furniture making.

“The experiment and intestine feeling are important components to arrive at the result,” stated the studio. “Idea, fabric, form and characteristic are inextricably linked in the creation technique.”

Other designers generating wooden fixtures include PearsonLloyd, which upgraded flatpack furnishings with the Cross chair for Copenhagen emblem Takt, and Pedro Venzon, whose trio of wood stools are made by craftspeople inside the south of Brazil.